fundraising, innovation, projects

saffron cassaday, on cross-generation connections

Last week a friend and I were talking about how technology transformed the way we communicate, we work, we entertain ourselves and how this is affects our social life and relationships. We both belong to the Y Generation, maybe the last one to remember what was life and working without email, or waiting for a letter to arrive or for a film to develop. We’re also the first generation to have shown our parents how to use Skype, and we might have set up their AOL Account. We reflected on the fact that while we’re tech-savvy, we are more aware of the growing disconnect than millennials tend to be. However, we agreed, we too had become more estranged from elder generations than our parents were at our age.

And yet, not long after this conversation, I stumbled upon Saffron Cassaday’s CyberSeniors, a Gen-Y filmmaker who documented her Millennial sisters’ initiative to pair teens with seniors and help them go online. This documentary is a comforting proof that we can still perceive technology as a means and not an end to real life experience. Saffron was nice enough to respond to my questions, so here goes:

1. Age, name & occupation

Saffron Cassaday, 27, Filmmaker

2. What was your dream job as a kid?

A painter, or a singer. I changed my mind a lot, but was always wanted to do something artsy.

3. Where do you get your support or motivation from?

I have an incredibly supportive family. My parents are both entrepreneurs who always went after their dreams and encouraged me to do the same.

 “I started my career as an actor but I hated waiting around for auditions, so I taught myself to edit so I could produce my own video shorts”

4. What sparked your motivation or need to make your own film?

I started my career as an actor but I hated waiting around for auditions, so I taught myself to edit so I could produce my own video shorts. That led to me working as a freelance video editor, which eventually led to me directing and editing a feature length documentary. I’m glad I took charge of my career by trying something new, otherwise I may have never discovered how much more I love filmmaking than I ever liked acting!

5. What were you the most afraid of when you started off?

It was really scary trying something new.  Being my first film, I constantly felt like I didn’t know what I was doing.  My two younger sisters started the Cyber-Seniors program when they were in high school and I immediately thought this would be such a great topic for a documentary film:  senior citizens who have never used a computer, being taught how to use the Internet by teenaged volunteers.  The comedic and heartwarming moments were there from the get go, and we found really great characters, both young and old.  But my fear was that I wouldn’t be able to turn the footage into a film with a story-arc.  We had over 120 hours of footage by the end and it was all a little overwhelming.  But the fact that I really believed in the subject matter gave me the confidence to keep working at it.

6. What were you the most excited about when you started off?

Getting the seniors online and seeing their eyes light up each time they learned something new.  Like the first time one 93-year-old woman Skyped with her great-granddaughter and tears welled up in her eyes.  You could just see that this was the best part of her day, being able to connect with family meant the world to her.  It was very exciting to know I was part of something that was making a difference.

7. What did you wish you knew before starting all this?

That nothing happens quickly, and there’s no straight path. Even though I knew it was unlikely, part of me truly believed I would land a great acting gig right out of school and become successful overnight! I’m still no where close to reaching my end goal, but now I understand that it’s the journey that makes it all worthwhile! I am thoroughly enjoying the journey.

 “I’m still no where close to reaching my end goal, but now I understand that it’s the journey that makes it all worthwhile”

8. Tell us what is was like to start from where you did

As for making a film with modest means, in some ways I think it’s more fun! While I was in the middle of the editing process and kind of losing my mind, I had an experienced filmmaker much older than me tell me he was envious of the position I was in.  He was used to working on bigger productions where he had several “higher-ups” breathing down his neck, voicing their opinions.  He said it felt like he was just a cog in a machine, doing a job for hire.  Whereas when you work on a smaller production, you have much more control to make the film you want to make.  There are positives and negatives to both sides, but I took what he said to heart and decided to focus on the positives and have fun with it.

9. What would you like to know about other innovators who answer this survey?

How many hours a day do they dedicate to their work. 

Follow @cyberseniors as it plays across North America

Learn more about the program, and how to get involved

Check out some of the videos made by the Cyber Seniors

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entrepreneurship, fundraising, innovation

kasha vande, on perseverance and change from the ground up.

My husband and I took three months off to go see the world. This trip took us to Pondicherry, an ex-French colony which offers tourists a break from the particularly intense Indian experience. This small city is known as a vibrant cultural hub which focuses on the arts and preservation of its colonial architecture. Our first stop there was at Kasha Ki Aasha, a rooftop coffee shop selling local fair trade stuff on the ground floor. The space was designed with a blend of Indian & Californian styles, and operated by all local female staff, an oddity in Southern India. I ended up chatting with the owner, Kasha, a US born architect turned entrepreneur who set up shop & home here in this little piece of France turned Indian. Turns out she was also running PondyART, a collection of photography shows in an abandoned distillery by the shore.

Here’s my interview with her, but you can also learn more about PondyART, and how you can help. You can find some pictures of the space here, and more information about the exhibition itself here. All the art you see is by Olya Morvan, a (needless to say) very talented Franco-Ukrainian photographer.

“I realize now that the movement is there, we need to make it happen in other cities so everybody gets to do these shows.”

1. Age, name & occupation

Kasha Elizabeth Vandee, 44, Owner of Kasha ki Aasha & Founder of Pondy ART

2. What was your dream job as a kid?

Surgeon or vet. My father had been ill and I thought I should do something about that. I was also terribly attached to animals. I ended up doing a year as a pre-med but dropped out to pursue architecture – my dad himself was an architect!

3. Where do you get your support or motivation from?

Really, these shows bring two things. First, the photographers don’t often get the opportunity to see their work on the wall, and never in this format. I also get motivation from seeing kids run across the beach to watch and look up every single picture.

The shows are meant to provoke without being aggressive about it, to get people thinking about India as it is today. We once had a show about the environment, this one by an Indian photographer. A visitor, who assumed I was the artist, made comments about the fact that images taken by foreigners were always ugly. When told that the photographer was Tamil, he was still offended that somebody would show something ugly like that. My response is that if a picture makes you angry, it’s touching you, and something at home might change.

All the people involved in this project love India, and that’s why we want to show what is happening right now. Some of the subjects don’t display the right directions, but hopefully these photos will help initiate the change, from the ground up. These shows are about trying to reach out to people in a different, more personal way.

“I was told that locals would not understand my project, would not know how to behave and have no taste. And that made me angry.”

4. What sparked your motivation or need to start your own thing?

Originally I was trying to do an open night, and have all the boutiques open and showcase art. I wanted it to be a public event and wanted everybody to open their doors but I was told that locals would not understand, would not know how to behave and had no taste. And that made me angry. I was doing a lot with a local photojournalist who felt that he had a chance to carry a message for these challenged communities but he didn’t have a medium for that. We came up with the idea of putting his work up on the wall so that everybody could see it.

I realize now that the movement is there, we need to make it happen in other cities so everybody gets to do these shows, with these pictures at this scale. A lot of the photographers shown are young and new, we need to showcase new talent. One of the photographers even said that after seeing his work in such big formats, he wouldn’t want to see his pictures in a traditional gallery format anymore.

“This is new in India, but when something catches here it goes very fast.”

5. Your background is in architecture, and here you are putting together these shows. Tell us more about it. I have a photographer who gives me lots of ideas. I don’t have much experience in curating but this has been a wonderful experience, thanks to the input. I use this certain lack of formal education to my advantage and instead break with conventions, making the show feel more like a museum or a conversation than a gallery.

I had been wanting to work with some artists for quite some time and I really like the association with arts but I don’t feel like I’m a creator myself. The chance of helping somebody to get their work up, people whose work I believe deserves to be noticed, makes me feel really good. PondyART is actually getting more publicity than expected, and after this set of exhibitions, which I hope I can pull off, I really hope I can take this nation wide.

Putting the shows together comes with its own challenges, some of our content can be heavy, and we are not immune to censorship, so I sometimes have to tread carefully, which can make you nervous, notably when the subjects tackle religion.

6. What did you wish you knew before starting all this?

That it would take a hell of a lot of money. People love your project, but don’t want to give money. The government has been giving me a budget but I can’t always foresee how I am going to pay for the whole thing. My business has brought some support, but I never really know what lays ahead. Somehow though, it always ends up working out!

For me this is the hardest thing. It seems to me that if you give something to the community that I would get something back. There are over a million people living in Pondicherry, and if they each gave me 1 rupee I could run this show for at least a couple of years.

“Things in India don’t happen regularly. One of the biggest business owners in Pondicherry looked at me before my 10th show and said “Look Kasha, you can’t do this alone” – and yet here I am!”

7. Describe a day in your life as you’d like it to be in 3 years.

I’ve never really been able to think about more than tomorrow. I’ve spent a lot of time testing ground with the local businesses and restaurants. I’m definitely going to be approaching other cities, talk to locals and chase down those opportunities as best as I can. I want to try to use old empty spaces like this distillery or take it to the streets, depending on the neighborhood.

My network of photographers is expanding very rapidly, I think I could do something very special in every city. This kind of stuff is done commonly in NYC and other western cities. This is new in India, but when something catches here it goes very fast. I just have to get there first.

8. If somebody would walk into this space, see the work, and want to help, what should s/he do? 

Come see me. Part of the challenge is that the production side is a one woman show. I run the website, the blog, the facebook, I also do the fundraising part. I tried crowdfunding, but that requires an enormous amount of work. I had to find a site that allows for a campaign like this running in India, successfully, with minimal charges, and then produce the videos  and promote the whole campaign. I’ve been told this is usually takes 3 to 5 hours a day. I’m already putting most of my time in getting the shows up and running.

I don’t have a business of NGO form for this project yet because I didn’t know where this project was going. Now it’s taking off and expanding, I need to create a structure and figure out where I’m going in order to receive more funds. We have approached a lot of people but we’re still waiting on responses. I haven’t  been very aggressive about fundraising because I wanted to prove I could do this on a regular basis. Things in India don’t happen regularly. Now it’s the 11th show, I’m here, still standing. One of the biggest business owners in Pondicherry looked at me before my 10th show and was still saying “Look Kasha, you can’t do this alone” – and yet here I am!

9. What would be the one thing you’d like your eulogy to say? 

That I was honest, straight-forward and that I had no hidden motives.

  Another interview about PondyART

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entrepreneurship, fundraising, start up

alistair croll, mover and shaker extraordinaire

“ there’s simply so much to do, see, taste and try that any day spent not discovering or debating something feels like squandering.

Last month I was at a Montreal Girl Geeks for a presentation on open data by Lisa Green, major Creative Commons contributor and current Director of LA-based Common Crawl. After that, some of us went out for drinks to continue the conversations started during the Q&A session. IT  and marketing people, open data champions, keen observers, we had interesting conversations on all sorts of topics related to their backgrounds, but each person I spoke with told me that I HAD to read up on or meet Alistair Croll.

After a couple of misspellings and some basic googling, I quickly found out why. Entrepreneur, author, consultant, blogger, event planner, critical thinker, it looked like he was the kind of guy who thought outside the box, celebrated it, and even got the box people to listen to him.

So I had to see for myself I could get to know him better. By the time I read his somewhat intimidating bio I was pretty sure my email inviting him to respond to my little survey would be swimming somewhere in his inbox, drowned in between internship resumes and  Linkedin connection requests.

To my surprise however I actually got a response, and a very insightful one at that! Ladies and gentlemen, I am very proud to present you my first survey response, by Alistair Croll. If you’d like to know a little more about him the man, take your pick:

For those who think Facebook makes only educated guesses as to what your sponsored feed content should sport, please take a minute to read his post here.

For those of you who are well versed in Analytics and the need for game changing strategies, you’ll find plenty here.

And for those who’d like to know about the inspiration behind the man, I’ll let you read on :)

1. Your full name, age and occupation

Alistair Croll;  43. I’m an author, analyst, entrepreneur, and event organizer.
 

2. What was your dream job as a kid?

I didn’t have one, really. But I loved writing code and watching others use it; I was running a BBS (a precursor to web forums) on my Apple //e computer at 13, and the feedback loops—I’d change something, users would change how they interacted—was fascinating.
 

3. Where do you get your support or motivation from?

My wife is an incredible force in my life, though she’d be the first to deny it. I’m also lucky enough to have a circle of friends and mentors I’ve worked with over the years who point me at interesting things. My biggest motivation is curiosity; we’re here for seventy or so years, and there’s simply so much to do, see, taste and try that any day spent not discovering or debating something feels like squandering.

 

“It’s easy to say, “don’t build something nobody needs.” But people didn’t know they needed a Walkman, or a Dodge Caravan.”

 

4. What sparked your motivation or need to start your own thing?

In the late nineties, my longtime friend and co-conspirator Eric Packman bugged me to launch something (which became Networkshop, an analyst firm.) Then another friend, Thanos Moschopoulos, prodded us into turning it into a managed service provider (MSP) called Coradiant. And Ian Rae cajoled us into turning what Coradiant was doing into an appliance called TrueSight. So what sparked me was other people.
These days, I’m more focused on what the world will be like in ten years. Paul Graham said that founders see the world as it will be and then build what’s missing. That’s the hard part—seeing what’s missing, and how people will use it. It’s simple to look at an iPhone or an Android today and say, “of course that’s how we take pictures, make calls, and manage our calendar.” It wasn’t so obvious ten years ago.
 

5. What were you the most excited about when you started off?

Any new venture has that “first day of school” feeling of clean binders and fresh pens. It’s easy to get swayed by that, and there’s certainly something cathartic about a clean slate. But if you’re starting something you know about, you spend a lot of time trying to separate your own cognitive biases from what the market really needs.
What excites me the most is when I’m talking to people and I start to see patterns emerge. My Lean Analytics co-author Ben Yoskovitz and I are busy working on a workshop about Lean Analytics for Intrapreneurs. The first couple of phone calls with innovators at big companies were interesting—but by the sixth or seventh, I started seeing the “red threads” that tied them all together.
That feeling of the market or problem revealing itself to you if you’re willing to dig, to be various, is thrilling.

“ I’d like to know I added more value to humanity than I took. Not sure what the metric for that is.”

 

6. What did you wish you knew before starting all this?

Well, in Coradiant’s case, the answer is obvious: I’d have built TrueSight first, without the MSP business that got us there. That drained a lot of funding, patience, and energy from us. I have a general aversion to businesses that require humans to deliver services these days; Marc Andreesen says software is eating the world, and I think he’s right.
The big lesson, though, is balance. It’s easy to say, “don’t build something nobody needs.” But people didn’t know they needed a Walkman, or a Dodge Caravan. Those products tested horribly, but met a need people had. It’s tempting to be a nay-sayer, and only build things the world needs today. It’s also uninspiring. On the other hand, it’s reckless to build something on faith—but most great startups began there.
Ultimately, I learned that balancing data-driven tactics and a ruthless honesty with a big vision and a leap of faith is incredibly hard to do well.
 

7. Describe a day in your life as you’d like it to be in 3 years.

That depends. If I’m building something new, which I may well be, I’d like to be talking to customers and diving deep into the minutiae of a product release, and fielding plaintive emails from people I’ve never met begging to try my new product.
On the other hand, if I’m still writing, running conferences, and trying to predict where humanity will intersect with technology, then I’d like to be drinking decent wine with smart people late at night.
Either way, I hope it will include a decent amount of time helping my daughter to find the same skeptical curiosity and awestruck enthusiasm with which I see the world.

8. What would you like to know about other innovators who answer this survey?

I think there is a critical metric or number in every startup that became the most important number in the company. I’d like to know what that was, and how they knew they’d found the mystical “product-market fit” when the market just pulls the product out of you.
 

9. What would be the one thing you’d like your eulogy to say?

That I finally finished something.
Seriously, though: Tim O’Reilly has a great statement about adding more value to a system than you take away. I’d like to know I added more value to humanity than I took. Not sure what the metric for that is.
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